Bats have become very popular, perhaps surprisingly given their past unfortunate associations with blood-sucking vampires. Bat walks are consistently fully booked up: both Woodlands Farm and Hall Place had no spare spaces on nightime strolls with bat detectors in the last couple of weeks. And in July the Bat Conservation Trust’s Bat Fest weekend at the Natural History Museum had its busiest year yet with nearly 3000 visitors.
The Friends of Shrewsbury Park‘s bat walks have always been very well attended. This year’s will be held next Friday, 5th September. An e-mail from the Friends gave the details:
We will be providing a bat walk on Friday 5th September. If you would like to attend, please meet in the car park at 7.30pm for an introduction to bats by Kris and Les, and a demonstration on how to use the bat detectors. The walk will last about an hour and a half.
– please wear sturdy shoes and appropriate clothing
– children must be accompanied by an adult
– dogs must be kept on a lead
– please bring a torch.
If you have mobility issues, please contact us so we can help you to participate. The trail is a mixture of paved path, gravel and grass.
If it rains, neither the bats nor us will be coming out!!
To enter the competition all you have to do is create something original and inspiring that represents how you celebrated International Bat Night. Your entry could be a drawing or painting of a bat you saw whilst on a bat walk, a picture of bat shaped cookies you baked, or a poem or short story inspired by your activities.
The closing date for entries is next Friday 5th September.
Why the increased interest in bats and bat walks? Part of the reason, I think, is that bat detectors have become less expensive, and they are also available for loan for bat walks from the BCT, London Bat Group and park groups so it’s easier to find bats. Also, though, they are such fascinating creatures. They can detect and then capture insects such as midges on the wing using their echolocation – they shout continually as they fly around and use the echoes from tiny insects to “see” where their prey is. They have wonderful wings, constructed from layers of skins over elongated finger bones, hence the name of their order, chiroptera, meaning “hand-wing”. This gives them great agility and control in flight, as you can see in the amazing film footage included below.
It’s hard to believe now that the little track running into Oxleas Wood from Shooters Hill was once the drive way to the Portland-stone Palladian mansion shown in the photograph above from Greenwich Heritage Centre. It was the home of Lords and Barons, painted by society artists and also once a hotel with 20 bedrooms. It was as grand inside as out, as shown in the set of photographs in the London Metropolitan Archive. These were taken in 1955 not that long before its demolition, and depict its elegant drawing rooms and a magnificent double-branched curved staircase as well as the boarded up exterior.
The site of Falconwood is today a butterfly-filled meadow surrounded by Oxleas Woods.
When the mansion was built in 1864-67 by the 2nd Lord Truro, Charles Robert Wilde, it was called Falconhurst. Lord Truro was related to Sir James Plaisted Wilde, who became Lord Penzance, and lived nearby at Jackwood. In the London Metropolitan Archive there is a typed sheet of reminiscences by Major C.E.S Phillips of Castle House about Falconwood. He has this to say about Lord Truro:
Falconwood was built by Lord Truro, reputed an illegitimate son of George IV. It is on Crown Land and was granted to him free of ground rent. Lord Truro had lived much in Italy and built Falconwood in purely Italian style. When his wife died (about 1880) she was buried under the lawn at mid-night by Lord Truro and his gardener Mr. Hart. The grave was surrounded by some beautiful wrought iron work, but after Lord Truro’s death in Italy this was removed and nobody knows now exactly where the grave is.
Lord Truro left the place and a strip of freehold land on the other side of the road to a very beautiful lady of limited virtue. They were a magnificent pair on horseback, both perfect riders. The legacy proved a nightmare for the legatee, for as soon as the Earl died, the Crown Office afixed a ground rent of £400 per annum on the property and she had no means of paying it. It was put up to auction but the first time there was not a bid for it. On the second auction it was bought by Sir Clarence Smith for I think £5000. It has cost £50,000.
I am indebted to our old Mr. Hart for the matter of the 1st part of this, it was he who helped bury Lady Truro, for all the rest I have relied on my memory only as I was familiar with all the facts at the time.
David Lloyd Bathe’s “Steeped In History” gives more details of the story: it reprints an article from the Daily Telegraph from 17th October 1879 which says that Lord Truro used a light coffin so as to “not arrest the process of natural decay”, and that the burial spot was chosen by Lady Truro. It also says that they understood that the Lady’s remains were later removed by her relatives. The burial in non-consecrated ground shocked the neighbourhood, and one resident said they could smell the emanation of sulphurous gases.
“Steeped In History” details the subsequent occupancy of the mansion. After Hull MP Clarence Smith moved out in 1908 he was unable to find a purchaser and the lease reverted to the crown. It was then let to Catherine (Kate) Rose Marie Antoinette d’Erlanger (née de Robert d’ Aqueria de Rochegude), wife of Baron Emile Beaumont d’Erlanger. Baroness d’Erlanger was known as “the Flame” because of the colour of her hair, and was renowned for her lavish entertaining. She was very well connected, as Philip Mershon says:
Catherine cultivated the most astonishingly irreverent continental society of bohemians, artists and aristocrats at salons in her homes. She was pals with Ravel, Debussy, Nijinsky and Proust. She was also financial patroness to Diaghilev, The Ballet Russe de Monte Carlo and Cecil Beaton.
Catherine herself was photographed by Cecil Beaton, and also by Lafayette Ltd in the picture below from the National Portrait Gallery. It shows her in a “tableau vivant”, which was part of an entertainment called The Masque of War and Peace held in aid of the Widows and Orphans of the Household Troops during the Boer War.
Enid, turning her ‘ardent snobbish eyes, mad with interest’ on the beau monde, soon wandered through a hole in the hedge. Announcing her credentials boldly, she told the Baroness she was a journalist poised to write books. She knew that her inadequate clothes and schoolgirl fresh face were not enough. ‘Whatever I have looked like, and what my face has not carried, I have always had a sort of vitality that did instead’. She managed to put herself over. But the d’Erlangers were installing a hard tennis court and Enid’s immediate entry ticket was her facility with a tennis racket. She quickly became a daughter of the household.
The d’Erlangers left Falconwood at the time of the First World War. In June 1924 the Baroness applied to the London County Council for a licence to hold music and dancing entertainments in the drawing room on Falconwood’s ground floor. The licence committee notes in the London Metropolitan Archive say that it was proposed to use Falconwood as a private hotel. In 1932 the Baroness surrendered the lease and later moved to Hollywood.
Falconwood continued as a hotel under new management. In the archives there are Music and Dancing licence applications from Walter Frank Mills in 1933, Frederick Henry Clark in 1934 and F. Hugh Gough in 1936. The hotel seems to have continued in operation until after the war, but eventually failed. According to E.F.E. Jefferson’s “The Woolwich Story” Falconwood was acquired by Woolwich Borough Council in 1936 and was “laid out” in the 1950s and incorporated into Oxleas Wood. The house itself was demolished in 1959.
Falconwood Bexley. This district was developed in the 1930s as Falconwood Park on the site of a large wood called West Wood on the Ordinance Survey maps of 1805 and 1876 (earlier Westwood 1551). It is said to have been given this name to attract new residents.
Emily from the Fan Museum wrote with details of their Open Day tomorrow, Saturday 2nd August 2014, a repeat of last year’s successful event. They are aiming to encourage members of the local community who have not visited the museum before to do so. Entry is free (with valid ID such as a driving licence or utility bill) to all residents in the boroughs of Greenwich and Lewisham. This will include:
• entry to the museum for all Royal Greenwich and Lewisham borough residents
• Curator-led mini tours throughout the day
• fan-making demonstrations throughout the day
• children’s activity trails
• refreshments in the Orangery: a sample taster of their popular Afternoon Tea
The Museum’s afternoon tea is one of “London’s ten best afternoon teas” according to the Daily Telegraph, which recommends “a satisfyingly hefty hunk of chocolate brownie, moist and filled with white chocolate chunks”. There’s also a chance to see a collection of over 4000 fans, most of them antique. The museum’s building is interesting too: it is formed of two Grade II listed Georgian Town Houses and features a beautiful mural-decorated Orangery where the afternoon tea is served.
The museum’s address is: 12 Crooms Hill, Greenwich, London SE10 8ER and the Open Day starts at 11.00am and is open until 5.00pm.