Cabinet of Curiosities

The Mobile Allotment, designed by Lisa Cheung, which has been instrumental in developing Avant-Gardening's programme of activities. Named Most Innovative Growing Space on the Landshare.net website
The Mobile Allotment, designed by Lisa Cheung, at the Nightingale Estate

Arts and Environment project, Avant-Gardening, are looking for people who have stories to tell about their personal experiences of living in Greenwich to put in their Greenwich Cabinet of Curiosities. They are particularly searching for some of the lesser known and personal histories which add real colour to an understanding of the area. You can see some of their research so far on their tumblr blog. As they say in their project description:

The project aims to create a mobile archive and art exhibition that responds to the area through the voices of the people that live or pass through it; exploring hidden histories, folkloric tales and secret places, documenting the people and places of this diverse borough to capture a unique snapshot of the place, its people and its history. To help us achieve this aim we will be working with residents, schools and community groups to create a uniquely creative response to the borough and we need your help to achieve this. If you have any stories, home movies, photographs, loved places you want to tell us about or memories you are willing to share, please get in touch and we can arrange to come and meet you to document these stories for possible inclusion in the cabinet.

We are also looking for artists who have created Greenwich-related or inspired works that they would like us to consider for inclusion in the exhibition or to be documented in the cabinet itself. We are also interested in collaborating with like-minded artists interested in the environment, social and personal histories and psycho-geography.

Avant-Gardening is an artists’ collective led by artist Polly Brannan and project manager Paul Green, whose work investigates social spaces and the urban environment. Described as “artists in gardening gloves”, they have been going since 2008 and have completed a number of projects throughout London, and as far afield as Ethiopia. Their projects focus on environmental and sustainability issues and encourage the involvement of local people through workshops, community gardens and even a mobile allotment.

Nightingale Community Gardens Mini-orchard Banner
Nightingale Community Gardens Mini-orchard Banner

Another one of Avant-Gardening’s current projects is “The Place where Plums Grow” which aims to plant a number of small dwarf orchards in and around Plumstead, starting on the Nightingale Estate, reflecting the area’s history of orchards. The venture is a joint effort with the Welcare charity and the London Orchard Project:

“Starting in and around the community garden on Nightingale Estate we planted a small number of dwarf apple trees and ran a number of summer workshops with the children to raise awareness of the garden and fruit trees and their role in urban bio-diversity. This pilot project proved to be a great success and led to us developing the second phase of the project, to plant a wider variety of trees in the area and to encourage wider community participation.”

The next stage of planting takes place in a couple of week’s time on 16thFebruary 2012.

Blooming Barnfield Urban Farmers Guide
Blooming Barnfield Urban Farmers Guide

Avant-Gardening have also worked on the Barnfield Estate. Their Blooming Barnfield project during the summer of 2010 encompassed a wide range of activities, including a Barnfield Dream Team football challenge, Growing Stories workshops, the Big Avant-Gardening Lunch and a GPS walk around the estate looking for places for potential community gardens. All beautifully described in the Blooming in Barnfield Fanzine. One of the Avant-Gardeners also spent six weeks working with children at Plumcroft School on their allotment and arts and photography projects.

Last year Avant-Gardening started work on planning a project to create and plant a community garden on the Barnfield Estate.

For more information about Avant-Gardening, or if you have a story about local history to contribute to the Cabinet of Curiosities, contact Paul on e-mail: paul@avantgardening.org or telephone: 020 3239 9174

Half Term Activities at Woodlands Farm

Carrier bag chicken
One of the items you can make during half-term week!

Thanks to Woodlands farm for sending in news of their forthcoming half term events.

As spring approaches the birds are starting to look for somewhere to nest. Although there is normally plenty of food available during this time, there are increasingly less natural nesting areas. This is why it is so important to put up nest boxes.

During half-term we are running a ‘Bird Box Day’ where you can come and make a special box to put up in your own garden and support the birds as they set up home during nesting season. We will be building open fronted bird boxes, which are a favourite for robins and wrens, and can also be used by pied wagtails and spotted flycatchers. To build your very own nest box, come along to Woodlands Farm on 14th February between 10am-2pm to build your box. It costs just £3 and all materials are provided.

On Wednesday 15th February from 10am-3pm we are running the ‘Carrier Bag Creatures’ activity (see picture). Pop in any time to create your creature using just carrier bags and newspaper. You can make anything from a chicken, to an ant or whatever creature you can imagine. This event is free, so just pop by and see what you can create.

On Thursday 176th February we are holding our regular Toddler club  event, which runs from 10am to midday and the cost if £2 for adults.

On Friday 17th February between 10am and 2pm we are getting ‘Wild in the Woods’. This will be a chance to come along and explore our woodland at The Woodlands Farm. With a variety of activities including scavenger hunts, woodland art and shelter building there will be plenty of things to ‘get wild’ at! This activity is free so come along anytime between 10am-2pm and join in the woodland fun! We will be out whatever the weather so warm, waterproof clothing is recommended.

Greenwich Free School Open Evening at Shrewsbury House

The Greenwich Free School will be holding an open evening at Shrewsbury House on Thursday evening (2nd February) from 7 to 9. If it’s anything like the last one on 19th January it will be well attended. As they say on their web site:

All are welcome – parents and children – and there is no need to book: just turn up on the night.

At the open evenings, there will be an opportunity to meet our Headteacher, Deputy Headteacher and Governors – as well as hear about the educational plan for the Greenwich Free School and find out more about the process of opening in September.

You will also be able to pick up paper application forms and get help filling out the forms, should you wish.

The Greenwich Free School is a secondary school, headed by Lee Faith, which opens in September 2012. Their press release summarises their approach to education:

The school will have smaller classes; a ‘no excuses’ approach to attitude, work and discipline for staff and pupils alike; an extended day; a ‘depth over breadth’ focus on core subjects – English, Maths and Science; and a wide-range of compulsory daily extra curricular activities.

Interestingly, like the Shooters Hill Schools of Arts and the South London Free School, one of their proposed locations is Adair House (the other option is Polytechnic Street in Woolwich). Will  Adair House finally provide a home to a free school?

Adair House - Possible Home for the Greenwich Free School?
Adair House - Possible Home for the Greenwich Free School?

Postscript: Greenwich Free School confirmed on 25th February that they have secured Adair House as their permanent site.

Grand Tour

The Woolwich Grand Arts Cafeteria is Now Open
The Woolwich Grand Arts Cafeteria is Now Open

The Woolwich Grand Theatre is open for Grand Tours tomorrow (28th January) – providing an opportunity to see the parts of the theatre that the public rarely see. As Theatre Director Adrian Green explains in his Facebook message:

The Woolwich Grand Theatre will be holding an open day on the 28th of January from 10am to 4pm for everyone to come and have a grand tour of the building, boiler room, the upper circle projector room and other areas of interest to you. Come and join us and have a lovely cup of tea. We will be charging £6 per person.

This follows the musical fund raiser last Friday and the opening of the Arts Cafeteria on Wednesday.

The music last Friday was superb. An excellent  acoustic Candythief unplugged set, including songs from the Partisan CD was followed by a rumbustious Mr Ron Jetson on a very expensive piano accompanied by violin and saxophone. The evening concluded with the amazing voice of the Falsifiers’ Liam Ings-Reeves, whose deep, gravelly, bluesy versions of the chain gang song Another Man Done Gone and the spiritual Wade in the Water contrasted with a gentler Jess Hannar solo. The whole evening well lubricated by Adrian’s jokes.

Adrian said that he will invite these musicians back to the Grand in future. I’ll be looking out for that; they’re definitely worth seeing and hearing again.

Next at the Grand is a music and poetry evening on Friday 17th February:

The next event will be Friday 17th February, we will be holding a comedy and music evening featuring warm up comedians, two bands and a poet, details to follow. After being allowed to open this will be our last free performance evening for now.

It’s great to see the Grand getting going.

Inside the Woolwich Grand Theatre
Inside the Woolwich Grand Theatre

Eltham Common Public Inquiry

Google Maps' view of Christ Church School and the common land meadow behind it
Google Maps' view of Christ Church School and the common land meadow behind it

A public inquiry will be held on the 8th and 9th February into the proposal for Christ Church School to use common land on Eltham Common. The Planning Inspectorate’s notice of the meeting states:

Proposed works on Eltham Common CL40

London Borough of Greenwich

Application reference number – COM 219

Ms Heidi Cruickshank, an Inspector appointed by the Secretary of State for Environment, Food and Rural Affairs will attend at The Public Hall, Woolwich Town Hall, Wellington Street, SE18 6PW on Wednesday 8 and Thursday 9 February 2012 to hold an inquiry into an application by Pellings LLP on behalf of London Borough of Greenwich for consent under Article 12 of the Ministry of Housing and Local Government Provisional Order Confirmation Act 1967 to carry out works on Eltham Common (CL40).

The proposed works comprise the formation of new hard and soft play areas consisting of playground (245 square metres), multi-use games area (858 square metres), soft/grass play area (660 square metres) and new planting (55 square metres and 48 square metres). All areas to be enclosed by fencing (2.1 metre high by 44.5 metre long and 2.7 metre high by 51.7 metre long weld mesh fence) and railings (1.5 metre high by 73.75 metre long painted metal) with gates. A new footpath will be formed from Shooters Hill Road alongside the existing school to the school and new play areas.

The inquiry will begin at 10.00am on Wednesday 8 February 2012. Anyone can attend the inquiry. Anyone who wants to be heard on the subject matter of the application may, at the discretion of the Inspector, give evidence at the inquiry or arrange for someone to do so on his or her behalf.

Copies of the application documents, representations, and plan can be inspected at Eltham Centre Library, Archery Road, Eltham, SE9 1HA (not public holidays). Copies of the application documents and plan are also available on request from the Planning Inspectorate, Room 4/05, Kite Wing, Temple Quay House, 2 The Square, Temple Quay, Bristol BS1 6PN

The original application for the school’s rebuilding work and creation of a play area and muga court was approved by Greenwich Council in November. (What’s a  muga court? I had to look this up –  wondering whether muga was a new game, some kind of Nepalese Quidditch perhaps – but it’s just a Multi-Use Games Area). Unfortunately the revamp of the Greenwich Council web-site means that the original documentation is not currently accessible, but the notice above summarises the issue – the use of a 50m by 40m area of common land for a games area for the school when the school buildings are extended into their existing play ground. The area is the field behind the school, alongside the track that leads to Severndroog Castle. The Google Maps snippet above shows the area quite clearly. By my reckoning 50m is  perhaps half the length of the meadow.

Campaigners against the proposal point out that Eltham Common is designated as Metropolitan Open Land, an Area of Special Character of Metropolitan Importance and part of the London Green Chain. Significantly it is also Registered Common Land, which is why there has to be a public inquiry into the proposed changes. Dr Barry Gray gives the details of the reasons for objection in an interview in the Plumstead Common Environment Group Newsletter, arguing, among other factors, that:

The proposed grassland area on which the MUGA pitch is proposed to be built is in an area which is extremely important for nature conservation. In the Greenwich Borough plan it is designated as a Site of Nature Conservation Importance of Metropolitan Importance. This means that it is in the highest category in London and its retention as an ecologically sensitive area is important for London as a whole. I have already alluded to the importance of this site and I think you should bear this in mind when looking at the ecological impact and the landscape impact of the proposed inappropriate development. To quote the Greenwich Borough plan policy 018 “a network of sites of nature conservation importance throughout the borough have been identified for protection”.It seems to me to be a strange form of protection to propose to cover most of the site, in this instance, with hardstanding material for what is, in effect, a fenced soccer pitch.

But, and this is a big but, Christ Church School needs to be able to expand its current accommodation for staff and pupils. It is cramped in its current building, but despite this the school was rated Grade 1 – Outstanding – in its last Ofsted Report. And the area of land involved is quite small when set against the size of Eltham Common, not to mention the totality of the common and woodland area across Shooters Hill.

Although Greenwich Council’s decision to approve its application for the Equestrian Centre next to Woodlands Farm isn’t, and shouldn’t, be a factor in the Planning Inspector’s decision, I feel it complicates the issue. The Equestrian Centre will also be built on Metropolitan Open Land.  It feels like the council is gradually chipping away at the area’s Metropolitan Open Land, paying no respect to its own rules and guidelines set out in the Unitary Development Plan. It prompts the question what will they grab next? Personally if there was a choice between building an Equestrian Centre that won’t provide much benefit to the local community, and allowing an outstanding school the space it needs to do its job I’d have no hesitation choosing approval of the school’s plans.

It should be an interesting Inquiry meeting; I don’t envy the Inspector her decision.

Eltham Common at the back of Christ Church School
Eltham Common at the back of Christ Church School

Co-op Changes Commence

Plaque outside the RACS building in Powis Street
Each for All and All for Each -Plaque outside the Royal Arsenal Co-operative Society building

Some more good news, in my opinion, from Woolwich. The hoardings have gone up around the listed RACS building in Powis Street and work has started on its conversion into a 120 bed Travel Lodge hotel with new shops on the ground floor. The planning application includes a Heritage Statement that explains the conservation aspects of the development, and encouragingly states:

2.3 The exterior of the building is to remain largely unaffected, with exception to the ground floor shop fronts, which are non-traditional 1960’s replacements which do not contribute to the special interest of the building. In addition the principle front entrance is to undergo improvements, reinstating a traditional door in order to improve its appearance. The first and second floor windows are to be replaced with timber frames and slimlite double glazed units. The joinery details are to reflect the existing to maintain the appearance of the building. At roof top level it is proposed to install both P.V panels and plant units, both positioned to be visually unobtrusive. The majority of the external works to the front facade will be repairs, renovation and enhancements, preserving the architectural features and overall character of the building.

The Royal Arsenal Co-operative Society was set up by workers at the Royal Arsenal in 1868, based on the principles of the Rochdale Pioneers. It initially sold basic food-stuffs. However it grew rapidly and at its height had a large network of stores, and owned farms that supplied the produce it sold. As with other Co-operative organisations it was very much involved in the local community, supporting education, establishing libraries and supporting youth clubs, a cricket club, an orchestra and two choirs. Profits were distributed to the people who shopped there in proportion to how much they spent – the divi.  I remember the light, tin divi tokens they used to give to shoppers, not that long ago (really).

Full length statue of Alexander McLeod standing in niche on front of the Royal Arsenal Co-operative Society building.
Statue of Alexander McLeod in front of the Royal Arsenal Co-operative Society building

The RACS building was completed in 1903. The statue outside, sculpted by Alfred Briscoe Drury, is of Alexander McLeod; the VADS web site describes the statue and provides a brief biography of McLeod:

Alexander Mcleod (1832-1902) one of the founders of Royal Arsenal Co-operative Society (RACS), set up by Arsenal workers in 1868. First full-time secretary from 1882 until his death.
He was the son of Skye crofters and served an apprenticeship of five years as a mechanical engineer on the Firth of Forth. He then worked for Scottish railway companies. At the age of 27 he visited a friend at the Great Eastern railway works at Stratford and secured work at the Arsenal at Woolwich where he stayed until 1878. In 1882 he was appointed dual Secretary and Manager of the Royal Arsenal Co-operative Society which had been set up by a group of workers from the Arsenal in 1868, and he remained so until his death.
McLeod was held in high regard both locally and throughout the Co-operative Movement, described in fact as ‘a Prince among secretaries’ by George Jacob Holyoake, another revered figure in the Movement.  Died 17 May 1902. In his obituary in ‘Comradeship’, the RACS magazine, of June 1902, Holyoake said of him:
‘The Royal Arsenal Co-operative Society, standing like a pillar of cloud or of fire of old, to show to London the road to a better social system, is the monument that commemorates his life work’.

Alfred Drury also created the sculptures of Queen Victoria and Prince Albert at the entrance to the Victoria and Albert Museum, the statue of Joshua Reynolds in the courtyard of the Royal Academy and the Blackwall Tunnel Commemorative Plaque, as well as many others.

I’m hoping that the work on the RACS building is the start of a regeneration of the Northern end of the Woolwich shopping area. Planning approval has already been given for the redevelopment of the apex of the Woolwich triangle, with a “major retailer” lined up to occupy the largest of the new retail units there. The future of the art-deco RACS building on the opposite side of Powis Street still seems to be undecided, though there are suggestions that it won’t be demolished. There are indications that the art-deco Granada Cinema will be sensitively restored by the Christ Faith Tabernacle. Their Heritage Report has some fabulous pictures of the interior of the cinema in its prime. Then there is the middle of the odd-numbered side of Hare Street. I walk down there (fairly) often on my way to the gym at the Waterfront Leisure Centre. It seems such a shame that the proud old Victorian buildings have been given over to buddleia and broken windows. I look forward to news that they will also be restored and used again.

I think it’s great that so many of the changes to historic buildings in Woolwich and Shooters Hill have managed to strike a balance between architectural conservation and the requirements of modern use. As well as the current redevelopment of the RACS building, the Royal Arsenal development and the Royal Military College seem to have retained much of their historic architecture. And with all of the new housing being built maybe there’s hope for the regeneration of Woolwich’s retail area.

Artists Impression of the future RACS building from Greenwich Council Planning pages
Artists Impression of the future RACS building

Olympics Parking in Shooters Hill

Shooters Hill 2012 Olympic Parking Restrictions
Shooters Hill 2012 Olympic Parking Restrictions

I just caught the LOCOG/Greenwich Council/TfL stand in General Gordon Square about traffic management during the games before the wind and rain blew them in to Woolwich Library. They will be there again tomorrow (weather permitting I guess), and they have published some, but not all, of the displays on the London 2012 web site.

The proposed road closures weren’t surprising. Roads around the Olympics venues  – Ha-Ha Road, Circular Way and perhaps less expectedly Repository Road – will be closed. There will be a checkpoint for traffic coming along Charlton Road, with all non-games traffic diverted down Stadium Road. Buses will be diverted around the closures.

The main impact proposed for us Shooters Hill residents will be a large extension of the residents parking zone across the hill, as shown in the extract from the map, above. The additional area is North of Shooters Hill Road, bordered on the East by the Golf Club and Shrewsbury Park, Wrekin Road and Ennis Road down to the Common then down to join the current restricted parking zone round Plumstead Station. Details of how we can get parking permits, including permits for visitors, will be communicated “early in 2012”. The web site does say that we are entitled to visitor permits, but not how many.

Providing they get all the details right this sounds like a good way to deter Olympic games spectators from filling all the roads around the venues with parked cars, with not-too-much impact on residents. Parking fines are likely to be increased to £200 for the duration of the Games.

If you want to comment on the proposals, and can’t get along to the drop-in session, the London 2012 web site gives the following methods:

Have your say

Email: greenwichparking@london2012.com
Post: Freepost Traffic and Parking enquiry
Phone: 08000 111 300

Grand Opening on Friday

Vision of the Woolwich Grand Theatre

Some excellent news from the Woolwich Grand Theatre. Following a successful sound check by Greenwich Council last Wednesday evening, they will be opening this Friday (20th January) with a Music Fund Raiser Night. Here is the FaceBook invitation from the Grand’s Director, Adrian Green:

Dear friends,
As we warm up to what I hope will be our opening soon we are having another music fund raiser night on the 20th January at 7.30 Three different acts who have given their time to help are cause

Candythief: Drawing on alternative, folk, rock and indie influences, the songs are melody-driven and eclectic in style, lyrical and direct, coloured by the unusual song structures typical of Candythief arrangements. Thematically, it deals in an uplifting way with the possibility that modern culture has sold us a bit of a lemon.

The Falsifiers: Liam, Jess and Adam. Tom Waits, hill-billy edgy sweetness combining guitar, fiddle and washboard for not-so-rickety yet rickety song.

Mr Ron Jetson: A three piece version consisting of Ron as himself and this time on piano, with Luke Barlow providing saxophone and Jess Hannar on violin. Songs for all the ages strangely combining Waits with the Dan.

Please come down and support us and change Woolwich for the better.
Many thanks
Adrian

Candtyhief was started by singer-songwriter Diana de Cabarrus on vocals/guitar/sandwiches, and at full strength comprises Jem Doulton on drums, Jason Dickinson on fiddle and Jason Simpson on electric & double bass.Their latest, and third album is Partisan,  embedded below. Mr Ron Jetson‘s latest album is Danger Danger.

Sounds like it will be an amazing evening of music, at  a great venue!

Colin Fifield and Ray Marshall Waterscapes Exhibition

Waterscapes ExhibitionThe Ripley Arts Centre in Bromley will host a joint exhibition by two local artists, Colin Fifield and Ray Marshall, starting on the evening of 31st January and running to 24th February. Ripley Arts Centre is located at 24 Sundridge Avenue, Bromley, Kent, BR1 2PX – not far from Bromley town centre.

The Bromley Arts Council description of the event  includes the following profiles of the two artists:

Colin Fifield – profile
Colin lives on Shooters Hill, South East London. He first studied art and design at Camberwell School of Art from 1958 to 1962 specialising in Painting, Lithography and Illustration. He was awarded the National Diploma in Design (NDD) in 1962. From 1962 to 1964 he completed a two year post graduate course in Painting and Engraving at the Slade School of Fine Art, University of London where was awarded the Slade Diploma in 1964. His art has always been very eclectic. His interests range from landscape paintings in oils, watercolours and acrylics. His main inspiration comes from the landscapes of the South East Coast especially the areas of Dungeness, Deal and Hastings.

Ray Marshall – profile
Ray Marshall was born in Lambeth and moved to Plumstead, South East London, in 1975, where he has remained a local resident since. Having undertaken some formal study at Morley College, tutored by Lawrence Toynbee among others, Ray is mostly self-taught. His work covers an eclectic mix of subjects, taking inspiration from nature, architecture, historical references, dance and music and the general observation of the world around us.

Ray’s interests provide a wealth of stimulation as he enjoys walking in the countryside and urban settings, cross country running, motorcycling and bird watching, as a member of the RSPB. These activities afford the opportunity for collecting photos, sketches and notes which provide reference material for his work in watercolour, oils, pen and ink and pencil drawings.

This wide ranging body of work has been exhibited in a number of local shows and produced commissioned works for patrons both locally as well as in America, Canada and Australia.

Colin Fifield Pottery
Colin Fifield Pottery

Colin Fifield is also a potter, specialising in stoneware especially domestic pottery such as mugs and jugs. He  is one of the Eltham Art Group who have an exhibition at the Blackheath Halls in March which will include oil paintings, photography and contemporary images. Other members of the Eltham Art Group are Claire Rowlands, Peter Clark, Graham Redmayne and Graham Davies.

Ray Marshall painted the Shooters Hill montage that can be seen in the Bull and in the Oxlea Wood Café. This depicts many Shooters Hill landmarks, for example the Water Tower, the Bull, Severndroog Castle, Ypres milestone …. even one of the wrought-iron encased red balls that sit on top of the pillars outside Herbert Pavilions. Ray is a member of the Plumstead Painters and Potters group which regularly exhibits their paintings, watercolours and pottery.

There are many other artists associated with Shooters Hill – William Robert Earl, Colin Ashford, Jon Sullivan to name just a few. I hope  they will feature in future posts.

Photograph of Ray Marshall's Shooters Hill montage
Photograph of Ray Marshall's Shooters Hill montage

The Mysterious P

The Royal P

I can’t resist a mystery, so when I saw the photograph above, by helenoftheways, on flickr, with its accompanying question about the origin of the crowned P I was intrigued, and had to know the answer.

The gateway with the crowned P is the entrance to a pretty walled garden that was once part of the old Jackwood House. It’s a quiet, secluded, contemplative area, dotted with plaques and benches in memory of former residents of the area, such as an analytical chemist at the Woolwich Arsenal and head woodsman at Castlewood House. The garden has appeared on e-shootershill before, in this post about Stu Mayhew’s picture and poem “Into the Secret Garden”.

For once google was unable to provide the answer. It did reveal that Sir Robert Bateson Harvey had lived at Jackwood House in the 1870s. Harvey, MP for Buckinghamshire was married to Magdalene Breadalbane Anderson, daughter of Sir John Pringle, so I wondered if the P stood for Pringle, but it seemed a bit far-fetched.

Undeterred, I headed for the library. As a regular browser of the local history sections of Woolwich Library and the Heritage Centre I felt there must be a chance of solving the mystery there. However I found the key to the conundrum serendipitously when reading The Story of Christ Church Shooters Hill in the Proceedings of the Woolwich and District Antiquarian Society. This included a couple of pages summarising development in the mid 19th Century when a number of grand houses in the area were built or enlarged. Almost in passing it mentioned that “Jackwood House was raised by Lord Penzance ….”.

Lord Penzance
Lord Penzance picture from wikipedia

With this piece of information google was a bit more forthcoming. An article in SENine confirmed that the P stood for Penzance, and that the crown with balls on indicates a baronetcy.

Lord Penzance was famous for breeding new varieties of Rose, particularly striving for strong fragrance, including one named after himself, one after his wife and many named after characters from Sir Walter Scott. He was also responsible for jailing a number of members of the clergy under the Benjamin Disraeli-backed Public Worship Regulation Act which banned the use of catholic rituals – so-called smells and bells – in protestant worship. This act wasn’t repealed until 1965. Lord Penzance’s definition of marriage in 1866 is still in use today in the UK and some Commonwealth countries:

I conceive that marriage, as understood in Christendom, may for this purpose be defined as the voluntary union for life of one man and one woman, to the exclusion of all others.

Different sources give different dates for when Jackwood House was built. Some sources say 1862, but this is contradicted by a description of the House in a book entitled “Eminent Actors in Their Homes” by Margherita Arlina Hamm about two later residents of Jackwood House, the American actor Nat C. Goodwin and his wife Maxine Elliot at the end of the 19th Century:

The homestead dates from the fourteenth century. It is a low, irregular edifice with thick walls,  roomy stairways, queer passages, and mysterious closets. It has been built piecemeal at various times, and while the softening hand of the years has united the various parts into a harmonious whole, yet both walls and roofs indicate the constructive efforts of different minds. Each part has a roof of a different design, so that an interesting chapter in domestic architecture could be drawn from the roofs alone.

Jackwood House appears in the old Ordinance Survey maps of 1894 and 1914, but not that of 1866. However the 1866 map does have a large house named Mayfield in almost the same position as Jackwood, though a different shape. So was Jackwood House built by extending an existing older house? Another mystery, for another day!

Margherita Arlina Hamm’s description of Jackwood continues with more roses:

Lord Penzance Rose
Lord Penzance Rose from Roses UK

One part known as Miss Elliott’s rose garden is the fairest spot of all. In it are the plants presented to her by members of the nobility and royal family, and around these are specimens of nearly every rose known to horticulture. The old English tea-rose, both the white and the blush variety, grows here in perfection, as do the standard rose tree of France, the Jacqueminot, the Marechal Niel, the American Beauty of this country, and the climbing roses – white, pink, and red – of Kent and Surrey. Arbors and trellises afford shade to the visitor and support to vines, the peach and other wall trees. In England there is a quaint practice of training many fruit trees upon walls and trellises, which is almost unknown in the United States. It enables the gardener to secure a maximum of light and ventilation for the fruit, and to produce the fine specimens which carry off the prizes in the agricultural county fairs. It is near the rose garden that Miss Elliott holds tea-parties and levees in the afternoon, which are attended by the many friends – American, English, and French – of the host and hostess.
The interior of Jackwood Hall is as imposing in its way as the Tower of London. It was built at a time when the modern economical spirit had not come into vogue. The walls would stand a siege, while the beams seem large and strong enough to last a thousand years. The wainscoting is massive, and the floors have been worn by human feet, as well as by the hands of the cleaner, until they seem a work of art in themselves. The balmy climate of southern England permits the doors and windows to be kept open nearly all the year, and at many casements the vines and roses appear to have a mad desire to usurp the place of the curtains.

So a mysterious P leads to an interesting trip through local history, and leaves another mystery to be pursued. How satisfying is that!

The Mysterious P
The Mysterious P